LINES OF LIGHT artist statement

      
In this big ecosystem we call Earth, we are all connected. Imagine the vast and various forms of life that it takes to sustain your physical body, and just as importantly, I would posit, your heart and soul—from sunlight, and clean water, to bees, and flowers, to fruit and trees, to salmon, and rivers, to toothed and baleen whales, to the magnificent oceans, to the things you love! The lists, the lines of life connections, are endless, and they are circular.

     As an artist who also works in conservation and advocacy for endangered species and environments, the concept of interdependence is ever-present in my mind. The foundational concepts and creative inventions that honor biomimicry, looking to the natural world for answers, feels ancient, and wise, and right to me.  When I find myself standing in front of a “blank” birch panel, I see gorgeous patterns in the wood, markers and memories of water and nutrients in soil, and sunlight, and probably pollinators, and certainly things that have died and decomposed.  The lines of life are circular.   The panel is not blank, it is full of stories tucked between lines.  So, in pencil and paint, I have taken to tracing some of those lines, which were born of water and whose shapes remind me of water—water flowing and water lit by patterns of sunlight.  I’ll be honest, the connections, the natural puzzles and patterns revealed through nothing more than a simple act of paying attention—it thrills me.

      For decades, I have incorporated organic, loosely circular shapes in the abstracted patterns of my paintings because they feel elemental, cellular, and universal—such a common part of our visual vernacular we might just miss it in dappled shadows, and tree bark, and stones along a shore, and the barnacle tattoos on whales, and streamline tubercles on the rostrums and fins of humpbacks, and the suckers on an octopus. The circular lines of life are in the microscopic, in visible natural patterns, and in the cycles of life and death, and renewal, and grief, and joy, and love.

     The lines of life are circular.

Artist Statements

The Lines of Life show opens Friday, August 1, 2025 at JG Art Gallery, Bainbridge Island, WA.   Artists Britt Freda, Robin Jones, and Lisa McShane exhibiting.     
copyright-free download for posters, yard signs, postcards, notecards, and invitations available now!
This new painting, RAVEN BRINGS THE LIGHT, will show at the 2024 National Museum of Wildlife Art Western Visions Art Show in Jackson Hole, Wyoming. The exhibit is open September 7 - 29, 2024.   Tickets go on sale August 1, 2024 for the Patron Open Sale and Awards Event on Thursday, September 12!
INTERDEPENDENCE is that young orca spiraling under its mother’s shadow into the spears and shards of sun lines up into the crashing spray of a raucous pod simply, simply, simply... for joy.
video poem 
I hope each of us asks this question often: what is environmental impact?  And what is my environmental impact? Sometimes, my subjects are endangered species and extinction. Sometimes they are about climate change. Sometimes I focus my gaze on bees or social (in)equality and education. And sometimes environmental impact is, intimately, about the landscapes of internal darkness, that which is hidden underneath: vulnerability, fragility, fear, trauma, uncertainty, loss, humanity, courage, connection and love—of place, of animals, of self, of people we care about.   Environmental impact is melting icecaps and hugging a tender-hearted, teary child.  Environmental impact is prioritizing the people you love with kisses and fat hugs and prioritizing voting and recycling and consuming conscientiously.  Environmental impact is renewable energy: the sun, wind and water.  ALSO RENEWABLE ENERGY is: love, laughter, inclusion, compassion and education. 

06/05/2018

As a contemporary painter focused on environmental impact, endangered species and social equality issues, I am interested in the social impact of art.  Art inspires, and cultivates innovation and science.  And, circuitously, science and innovation inspire art.  As we build our future it is essential that we design from a foundation where compassion, science, innovation and art intersect.  Why art? Our attraction to beauty is part of our humanity.  It connects us.  Beauty can restore dignity and hope.  Art has the power to unite.  When wielded well, art reaches inside, beyond words or explanations or cerebral data points. Inside, felt by the gut or the heart,beauty reaches beyond race or gender or socioeconomics or orientation or religion or politics.  From a visceral, emotional place, art inspires people to care. Only when people care, when they feel emotionally connected, are they compelled to question, to learn, to grow, to change, to take action. 
This year I have been swirling in a thematic, conceptual exploration of cour•age: the age of heart.

12/11/2017

“What if sex was holy and war was obscene.  And it wasn’t twisted, what a wonderful dream” – Alicia Keys, Holy War.  In a time of warring ideas, sexism, racism, fascism, ism, ism, ism… in a time of historical mass exodus, the ever present threat of nuclear war, the temperamental wrath of climate change and extensions I, like so many, wonder what the heck is the antidote, the ballast? When I talk or write about my paintings, from my lightly used soapbox for introverts, I fervently espouse that it is essential to compel a person to love something before they’ll risk what it takes to defend it. If you are familiar with my work, you know I’ve devoted many, many years (wearing: the Lorax superhero costume under my clothes) focusing on endangered species as well as threatened environments and beings. 
"Patagonia and the Creative Action Network aim to create a new activist collection of political protest posters to communicate Patagonia’s belief that our country’s economy, security and future are wholly dependent on a healthy environment and urging all of us to take action and vote to protect our planet. Born out of The Canary Project, CAN, and Patagonia’s Vote The Environment campaign of 2014, #voteourplanet is inviting artists & designers across the country to use their talents for our planet." - Creative Action Network read more to learn the why of the bee.
"Patagonia and the Creative Action Network aim to create a new activist collection of political protest posters to communicate Patagonia’s belief that our country’s economy, security and future are wholly dependent on a healthy environment and urging all of us to take action and vote to protect our planet. Born out of The Canary Project, CAN, and Patagonia’s Vote The Environment campaign of 2014, #voteourplanet is inviting artists & designers across the country to use their talents for our planet." - Creative Action Network click to read more about the why of the whale image.
"Patagonia and the Creative Action Network aim to create a new activist collection of political protest posters to communicate Patagonia’s belief that our country’s economy, security and future are wholly dependent on a healthy environment and urging all of us to take action and vote to protect our planet. Born out of The Canary Project, CAN, and Patagonia’s Vote The Environment campaign of 2014, #voteourplanet is inviting artists & designers across the country to use their talents for our planet." - Creative Action Network

05/26/2016

My paintings have been influenced by a lifelong fascination, awe and reverence for the natural world. Michele Corriel, Art & Architecture, 2014 wrote "[Britt Freda’s paintings] ask us to travel not only the roads we see but the ones we’ve lost along the way.”  While my subjects are rooted in realism, the closer the viewer gets one will discover my surfaces are regularly imbedded with etched words, statistics, poems, maps or seedpods. The elements that are layered between patterns of color are usually circuitously referential of environmental elements (seed pods, petals, cellular structures...).

Lines of Life 

8/1/2025

LINES OF LIGHT artist statement

      
In this big ecosystem we call Earth, we are all connected. Imagine the vast and various forms of life that it takes to sustain your physical body, and just as importantly, I would posit, your heart and soul—from sunlight, and clean water, to bees, and flowers, to fruit and trees, to salmon, and rivers, to toothed and baleen whales, to the magnificent oceans, to the things you love! The lists, the lines of life connections, are endless, and they are circular.

     As an artist who also works in conservation and advocacy for endangered species and environments, the concept of interdependence is ever-present in my mind. The foundational concepts and creative inventions that honor biomimicry, looking to the natural world for answers, feels ancient, and wise, and right to me.  When I find myself standing in front of a “blank” birch panel, I see gorgeous patterns in the wood, markers and memories of water and nutrients in soil, and sunlight, and probably pollinators, and certainly things that have died and decomposed.  The lines of life are circular.   The panel is not blank, it is full of stories tucked between lines.  So, in pencil and paint, I have taken to tracing some of those lines, which were born of water and whose shapes remind me of water—water flowing and water lit by patterns of sunlight.  I’ll be honest, the connections, the natural puzzles and patterns revealed through nothing more than a simple act of paying attention—it thrills me.

      For decades, I have incorporated organic, loosely circular shapes in the abstracted patterns of my paintings because they feel elemental, cellular, and universal—such a common part of our visual vernacular we might just miss it in dappled shadows, and tree bark, and stones along a shore, and the barnacle tattoos on whales, and streamline tubercles on the rostrums and fins of humpbacks, and the suckers on an octopus. The circular lines of life are in the microscopic, in visible natural patterns, and in the cycles of life and death, and renewal, and grief, and joy, and love.

     The lines of life are circular.